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Seamus January 23, 2010

Posted by Jamieson Ridenhour in Uncategorized.
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I’ve been digging through old files. Here’s a poem I wrote ten or twelve years ago, after reading a very large amount of Seamus Heaney. It has been whittled down (a very specific form of editing) several times over the course of the intervening years. I’m not quite sure what to do with it, but I’m not quite sure I shouldn’t do something with it…

Seamus

I am singing of vagrant philosophers,
breath reeking of sour charity,
ragged coats flapping like the wing
of a broken thrush.

I am singing of field and fen,
of the swamp and leaf and blanket
of frost, the small sweet abrasions
a landscape marks on a fresh and malleable

soul. I am showing memories
that run like cinema-shows, a people divided,
a childhood restored. I am looking
at the tiny details that describe the whole.

I want to sweep myself like a burning brand
to goad the horned fall of history.

Parnassus January 20, 2010

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Gwyn and I saw Terry Gilliam’s new film The Imaginarium of Dr. Parnassus this past Saturday night at the Carmike theatres here in Bismarck. I don’t go to movies at the theatre often, because of funds and because of babysitters; we make very conscious and predetermined decisions to go to a movie, as opposed to getting it through Netflix.

Full disclosure: I am a Terry Gilliam fan. I will go so far as to say that Gilliam is my favorite director. I think that Brazil is a brilliant dystopian vision, I can quote the entirety of Time Bandits from memory,  and I think 12 Monkeys is one of the finest science fiction/time travel/insanity films out there. I even love Baron Munchausen, with no apologies. I’m that guy.

But that’s not to say that I don’t see Gilliam’s flaws when they are there. I’m not a fan of Fear and Loathing, and I think Brothers Grimm suffered (oh, dear, how it suffered) from lack of focus in the editing room. Certainly the role of the rogue iconoclast is one that can sit a little too easily on Gilliam’s shoulders, even acknowledging his hard-won right to wear it. For many reasons, some self-created and some famously visited from outside, it has been four years since a new Gilliam film, and fifteen since a film that I would consider worthy of his early work.

To say I had pinned hopes on this film is putting it mildly.

But Gilliam delivered. Imaginarium was inventive, exciting, funny, narratively engaging, and visually stunning. Heath Ledger was extremely good in this his last role, and so were the rest of the cast: Christopher Plummer as the titular doctor, aged and calculating, Verne Troyer as Percy, the doctor’s midget assistant, Andrew Garfield as Anton, Lily Cole as Parnassus’ daughter Valentina, and Tom Waits, rather brilliatnly cast as Mr. Nick, the devil. Of course, I am an even bigger Tom Waits fan than I am a Terry Gilliam fan, so I may be biased there as well.

And of course there is Johnny Depp, Collin Farrell, and Jude Law as the three faces of Heath Ledger within the dream-world of the Imaginarium. This rather clever and narratively cohesive method of dealing with the death of Ledger mid-production is pulled off fairly flawlessly–what could have been a clumsy piece of cinematic duct-taping is handled not only technically smoothly, but in a manner that seems to enhance the film’s thematic underpinnings. Tony, Ledger’s character, has issues of identity throughout the film, both in the real sense and in terms of his moral direction. Having his face alter each time he enters the dream world makes the kind of fantastical sense we’ve come to expect from Gilliam’s madhouse alternative realities.

Woven throughout are imagery and tropes that have become trademark moves for Gilliam. The broken down theatre, reminiscent of both Time Bandits (1981) and Baron Munchausen(1989), is here transformed into a huge, horsedrawn stage-cum-caravan, a sort of gypsy trailer of a traveling theatre, creaking through London like a relic from the Elizabethan age, as indeed it may be. The presence of a midget, a chase across a desertscape, a towering set of stone steps, monolithic structures erupting from green landscapes in a shower of dirt–these and a dozen other familiar images occur in what could be described as a Gilliamesque collage. At one point there is even a Monty Python style musical number.

The film’s themes are likewise staples of Gilliam’s ouerve: the primacy of storytelling, the blurring of fantasy and reality, the mirroring of the interior and the exterior landscapes of the characters. Parnassus concludes in a manner both satisfying and morally ambiguous, and by refusing to answer a crucial question about the nature of Tony’s character, we are left uneasily wondering about a final, all-important choice of the doctor’s. This too, carries with it the whiff of earlier work, particularly 12 Monkeys.

None of this is a disavowal of The Imaginarium of Dr. Parnassus as an original piece of creative work.  On the contrary, Gilliam’s familiar arsenal of concerns seem to come alive here in a way they haven’t done in many years. The film is a true return to form, and in many ways seems a summation of Gilliam’s work to date. I enjoyed it immensely and think that it stands easily with the best of Gilliam’s films from the 80s and early 90s. Unfortunately, it is not the sort of mainstream film that audiences are going to respond to in large numbers. And that, for me, is its tragedy. Gwyn and I saw The Imaginarium on Saturday night after it opened nationwide on Friday, and we were the only two people in the theatre. I grant that Bismarck, ND, is not the hippest film town in the U.S. But it doesn’t bode well for a film to only draw two paying customers on its first weekend, no matter the city. I’m afraid it will fade from theatres, move soon to DVD, and become a cult classic.

In the meantime, it will not come close to making back the money invested in it, making it that much harder for Gilliam to raise the funds for his next foray. And that’s the real shame. Because the film industry needs Terry Gilliam, and so do we.

End of the Year December 24, 2009

Posted by Jamieson Ridenhour in Ali LaRock, Charles Dickens, Christmas, Cornerboys.
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It is a beautiful Christmas Eve day here in Bismarck. We’re under a blizzard warning, and the wind chill is -18 right now, but I’m sitting ensconced in my study, drinking hot Earl Grey and looking out the window at the snow. Despite the weather warnings, we are not in the midst of a storm, but rather have bright and brittle sunlight shining on the white winterscape. Lovely. Gwyn’s parents are here from North Carolina, we watched A Muppet Christmas Carol last night, and there are scads of brightly wrapped packages under our still-alive tree. I have Loreena McKennitt’s Midwinter Night’s Dream on the iTunes. I love the Christmas/Solstice/Hannukah season–ages of various cultural traditions layering together to represent the hope of renewal in the midst of winter. Good food and family and friendship.

Coolest gift so far: handmade Ali LaRock figurines. They are Skely Dickens and Sassy Skely, in honor of me and Gwyn.

We're cooler than your gifts.

So life is good. And it has been a good year. I began it by publishing Carmilla, and over the course of the year wrote Spirits of Dickens, which will be performed this spring, and made and released the Cornerboys film, of which I am inordinately proud.  I published poetry in Strange Horizons and the award-winning letterpress magazine The Lumberyard. The Christmas Carol reading went well, and is now firmly set be an annual fundraiser for the Arlis Saxon Eco-Kids Project.

More good things are on the horizon. I’ve just been asked to participate in an event for the Missouri Valley Chamber Orchestra; An Evening of Romance will be on the Friday before Valentine’s Day, and will feature several chamber orchestra ensembles performing romantic pieces, Baroque dance duets by Carly Schaub from Northern Plains Dance (with whom I’ve worked before), and me reading poetry in between. I get to pick the poetry. This should be a lot of fun. There are some lectures coming up as well (one in late January at NDSU) and the Literary London tour in May. Keep an eye on the “Calendar” page here to stay updated.

Plus, there should be some fairly exciting news on the Cornerboys front, which I’ll keep you informed about as it happens. I hope for some announcements about that during the first few months on the year.

I also hope to finish the novel I started during National Novel Writing Month this November. I didn’t make the 50,000 word mark, but I did get 22,000 and got the plot and characters and most importantly the momentum to push it on.

I’m not sure how many of you are actually out there–the number of hits on the site have gone up a lot this year, particularly around the Cornerboys release, so I know there are a few of you. Thanks so much for spending part of your time reading about my projects and giving me feedback and support. It is an exciting time for me creatively, and I only see that increasing as we move into the next decade. So stay awhile; I will be faithful.

Have yourself a merry little Christmas, or whatever brand of winter joy you partake. Here’s to the New Year!

Christmas Carol Reading December 6, 2009

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On December 19th, I’ll be performing a Victorian reading of Charles Dickens’ A Christmas Carol at the Unitarian Church in Bismarck at 1:30pm. I guess this has officially become an annual event–three years running now.

The reading is a fundraiser for the Arlis Saxon Eco-Kids Project, with freewill donations being accepted in lieu of a cover charge. The reading runs around two hours with the intermission, and there will be food and drink available during the break and afterward.

Here’s a brochure of the event which is free and open to everyone. I love doing this reading; it’s a privilege to speak the great man’s words. See you there!

Come in, man, and know me better!

London 2010 November 29, 2009

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Here’s the info I have so far on the London trip in May:

 

I’ll be leading a series of literary walking tours in London May 11-18, sponsored by the North Dakota Humanities Council and Satrom Travel here in Bismarck. You don’t have to be a resident of Bismarck (or ND) to go–just sign up and come on. I’ll be showing you some of the best literary sights and sites in the great city, and I’ll also guide you to some of my own favorite places off the beaten tourist path. And you’ll get to experience London–one of the greatest cities in the world, and my favorite place on earth.

Here’s a PDF file of the brochure with details:

Literary London Tour

The price listed is a land package; the price of airfare from wherever you are will be added when you book. There are contact numbers included if you want more information. I always love spending time in London, but I’m especially excited to lead this tour. I hope some of you will be joining us…

 

Me with a group of students in front of the National Gallery, Trafalgar Square, 2007

Poetry on Film November 20, 2009

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There’s a growing trend of authors making short videos to advertise their books and then posting them to the web. The idea is like that of a movie trailer, only for books. I think it’s a pretty wonderful use of new technology in the service of literature, and an interesting response to changing times (including the oft-repeated and yet-to-be-proven maxim that “print is dead”). Cornerboys is in some way an outgrowth of this trend, though we’ve made the film be the product rather than the ad. Still, I think there’s some beautiful and funky work being made by poets and writers and animators in the service of promoting books, many of which become works of art in themselves. Poet Sandra Beasley talks about it and gives some stunning examples over on her blog. Thanks to Sarabande Books‘ twitter feed for delivering me to Sandra’s electronic door.

Moving on November 9, 2009

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October was a whirlwind–making and releasing a short film in a single month was fun and furious. You’d think I’d spend November resting. Instead, I’m participating in National Novel Writing Month, wherein thousands of folks across the globe attempt to write a 50,000 word short novel in 30 days. My kids are doing it along with me, though with reduced word count goals, and so are one of my colleagues, one of my former students, and our Texan friend Isabella, who is a talented artist and poet, and now wants to add a novel to the accomplishments of her eight years on the earth.

My novel is a pastiche of a Jeeves and Wooster novel combined with an Agatha Christie style manor house murder mystery. With werewolves. The working title at this point is Reginald Spiffington, Werewolf.

I’m drinking lots of coffee, which isn’t really new. And I’m not sleeping quite as much–I tend to stay up ’til nearly midnight and then get up around five or so to squeeze in some more writing. But I’m having a blast. I had my novel mapped out in general terms before the month started, and so far I’ve been writing smoothly and with few stops or speed bumps. I’m a little behind word count; I should be at 13,000 some odd words by now, and I’m at 12,576. I plan to catch up tonight.

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Which is not to say that Cornerboys is being neglected. We continue to gain new fans on Facebook (linked to your right), and the YouTube version continues to collect hits (we will break 1000 this week, more than likely). We’re also submitting the film to various independent film festivals, and will keep you posted on that front.

Talk to you soon. I must go write…

Keep it up… November 2, 2009

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Keep up the Cornerboys love, my friends. We have right at 800 hits on YouTube after the first week, making us now the number one search result for the word “Cornerboys.” There are as of right now 115 fans on Facebook, and surely more to come. The feedback has been uniformly positive–people are raving, actually. I’ll keep you updated as we move into the next phase, you keep doing what you’re doing: watching the film and telling your friends to check it out.

We had a lovely Halloween, trick or treating with Aaron (Blind Mice’s sax player) and his family and then hanging out at Ali LaRock’s place for an hour or so. Ali’s place is always resplendent at Halloween, and this year was no exception. I went as Charles Dickens:

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Hatted and waistcoated

Eva was a spy, and Ian was the Overlord, a character from the book he’s writing:

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The Overlord invades your kitchen

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A very serious spy

Cornerboys available on the Web! October 27, 2009

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Cornerboys is now officially released, and is available on the web at YouTube and imbedded on this site on the Cornerboys page. Watch it, comment on it if you feel so moved, and please feel free to share, copy, send, and recommend to anyone who might be interested. We are very proud of it and want it seen by as many people as possible.

Last night’s debut was a fantastic event–a packed house, great response to Cornerboys and great questions during the Q&A, lots of kind comments and well-wishes after the fact. Ali and Kevin and I felt truly appreciated and quite the stars. I recommend releasing your own short film to a full audience of kind people. It’s more fun than should be legal. Ian and Eva seemed to have a blast (Ian did the drawing for the door prize) and my wife was the most stunning woman in the room. And the experience of watching Bride of Frankenstein with a lot of people was interesting and unique (at least until I do it again tonight in Minot). Thanks to everyone who came out last night, and thanks in advance to those of you who share Cornerboys with the world.

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Kevin, me, and Ali with the Cornerboys book.

Cornerboys release tonight! October 26, 2009

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Just a quick update/reminder–Cornerboys will make its public debut tonight at the Mysteria Theatre in Mandan at 7pm. I’ll be there, along with my co-conspirators Ali LaRock and Kevin A. Smith. We’ll show the film, talk about it, answer questions, and then show The Bride of Frankenstein. Appetizers will be in the offing, and a cash bar is available for those of your with the years to use it. Ali’s will also be displaying some of the original artwork from the film.

Ali, Kevin, and I had dinner last night (along with Brenna Daugherty from the Humanities Council and Gwyn, Ian, Eva, and Ali’s friend Ryan) and had a private screening of the film. It looks really good–much better than I had imagined. I’ve had such a grand time putting this together, and feel really satisfied with the results.

So if you’re in the Bismarck / Mandan area, come out tonight. At the very least you should come show Kevin some Dakotan hospitality on his first trip north.

We'll be opening this tonight...

We'll be opening this tonight...